MY WORLD OF TRUTH

Friday, 9 July 2021

The damaging effects of 'boreout' at work

 We all know what burnout is and why it’s bad. But fewer of us have heard of ‘boreout’ – a related phenomenon that’s arguably just as pernicious.

While burnout is linked to long hours, poor work-life balance and our glamourisation of overwork, boreout happens when we are bored by our work to the point that we feel it is totally meaningless. Our job seems pointless, our tasks devoid of value.

Boreout doesn’t get as much attention as its workaholic cousin, but experts say that this phenomenon – which occurs across industries – can result in some of the same health problems for workers. It’s also bad for companies, because a workforce with boreout can lead to high staff turnover.

Knowing what boreout is, and being able to identify it in ourselves, is critical for tackling it. There are also actions both workers and companies can take to alleviate it. And experts suggest that as we emerge into an evolving new world of work that prioritises worker wellbeing, boreout could merit just as much attention as other workplace problems.  

What is boreout?

“Boreout is chronic boredom. That sums it up,” says Lotta Harju, an assistant professor of organisational behaviour at EM Lyon Business School, France, who has studied boreout for years.

A number of factors can cause chronic boredom, including working in a demoralising physical environment like a cubicle farm, or feeling under-challenged over a prolonged period. But Harju says the fundamental experience of boreout is meaninglessness – “the experience that the work doesn’t really have any purpose, that there’s no point”.

Boreout, or chronic boredom at work, can lead to cyberloafing and slacking, but also job dissatisfaction and poorer mental health (Credit: Getty)

Boreout, or chronic boredom at work, can lead to cyberloafing and slacking, but also job dissatisfaction and poorer mental health (Credit: Getty)

Ruth Stock-Homburg, a professor of management and human resources management at the Technical University of Darmstadt, Germany, says she’s witnessed the phenomenon across multiple industries. “I started observing people in quiet hours in retail stores, and people are just standing there bored. Or taxi drivers that have to wait sometimes for hours in quiet times in the countryside.” Tech workers in Silicon Valley have also told her they feel the same way, she says.

Stock-Homburg and her colleagues have identified three main aspects of the boreout phenomenon: “being terribly bored, having a crisis of growth and having a crisis of meaning”.

Although it’s normal for everyone to get bored at work occasionally, being chronically bored for days on end may indicate that you need to address the issue, says Harju, because failing to do so can have consequences. In 2014, she worked on a study, looking at more than 11,000 workers at 87 Finnish organisations. She found that chronic boredom “increased the likelihood of employees’ turnover and early retirement intentions, poor self-rated health and stress symptoms”.

Other research backs this up. A 2021 study showed that 186 government workers in Turkey who suffered from boreout also dealt with depression, and high rates of stress and anxiety. Studies show depression from boreout can follow workers outside the office, and lead to physical ailments from insomnia to headaches.

Can you fix it?

Tackling boreout can be tricky, however, because generally by the time you recognise it, you’ve been chronically bored for a while.

“Boreout is different from burnout in the sense that bored-out employees rarely collapse out of exhaustion. Bored-out people may be present physically but not in spirit, and people can keep doing this for a good while,” says Harju.

Workers who realise they’re experiencing boreout may also be reluctant to flag it up as an issue to line managers or human resources. While the behaviours that feed into burnout – overwork, drive – are appreciated and rewarded by employers, boreout “reflects a lack of interest, a lack of motivation”, says Harju. “These are very much taboo in organisations.”

There are some quick fixes, like taking on work tasks that are more interesting to you. “To improve would require finding some purpose or inspiration in what one is doing,” she says. And people are more likely to be able to rediscover enthusiasm for their work if they had it in the first place. But a 2016 study Harju and her colleagues worked on showed that people who had boreout were less likely to engage in constructive activities like trying to find new, interesting challenges at work.

What happens more often, she says, is that people will just show up at their desks and spend time shopping online, cyberloafing, chatting with colleagues or planning other activities. She says that these people aren’t lazy, but are using these behaviours as “coping mechanisms”.

We need a shift in thinking about employee wellbeing merely in terms of stress and burnout – Lotta Harju

Fahri Özsungur, an associate professor of economics at Mersin University, Turkey, who was behind the 2021 study on the health effects of boreout, points out that combatting the phenomenon isn’t just down to the individual.

“Giving meaning to the job is not just up to the employee,” he says, instead it’s up to management to create an office culture that makes people feel valuable. “Make minor changes to the job or tasks. Whatever makes work boring, make it enjoyable.” Organisations need to learn what boreout is, he says, and have resources available. 

That said, some jobs are inherently unstimulating. But “even though the work itself would not be all that exciting, other aspects of work, such as having good relationships at the workplace or feeling appreciated by the employer, can to some extent compensate for and bring meaning to tedious work,” says Harju. There are many ways, she says, to make workers “feel like the time they spend at work is noticed, appreciated and worthwhile”.

Preventing boreout in workers, says Harju, can boil down to “plain old good leadership”, whereby leaders take time to communicate to workers why what they’re doing is valued and valuable, like career development schemes.

Many of us are aware of what burnout is, but not so much with boreout, which can be just as damaging to your health and your career (Credit: Getty)

Many of us are aware of what burnout is, but not so much with boreout, which can be just as damaging to your health and your career (Credit: Getty)

‘Bring boreout into the discussion’

Focusing on boreout right now might be particularly useful, given that since the pandemic hit, people have been re-evaluating their employment choices for a variety of reasons. It’s clear Covid-19 has provided an opportunity for some people to reassess whether they find what they are doing meaningful.

Of course, finding your job so dull that you want to leave isn’t new to the pandemic era. It’s been a problem since the industrial age when people worked in factories. But today, Harju points out, there is also a “stronger cultural norm” suggesting that we should be fulfilled and interested at work. “It is what people want and expect, how many a job is marketed and what heaps of books and tweets by consultants talk about.”

As we try to reshape the workplace based on what we’ve learned and felt during the pandemic, experts say that we need to make boreout part of the conversation – the same way we’re increasing discussions around burnoutpresenteeismwork-life balanceremote work and workplace inequalities

“We need a shift in thinking about employee wellbeing merely in terms of stress and burnout,” says Harju. “I do not mean that these are not important issues, but rather that they do not sufficiently represent the spectrum of human suffering at work. Bringing boreout into this discussion could thus broaden our understanding on what makes a good work life.”

Harju describes boreout as “kind of a signature syndrome” of the pandemic; our ennui fueled by too much time in Zoom meetings, surrounded by the same four walls. “My hope is that these boreout-related trends will force some organisations to re-think their human resource philosophies and policies, and organise work in a more sustainable way in general in the post-pandemic era.”

If you think boreout is seriously affecting your health (either physical or mental), it may be valuable to ask yourself how you might be able to repoint your career path toward something healthier for you. Seek the advice of mentors, career counsellors or friends and family.

“I do not know whether there is a better way [to figure out what works for you] than trial and error,” says Harju. “People learn different skills, gain perspective, venture out and start businesses. Boreout can mark a transition into something else: a different career entirely, or a different role in the organisation,” she says. “If people only take its cue.”

posted by Davidblogger50 at 11:43 1 comments

Friday, 2 July 2021

TEN FILMS TO WATCH THIS MONTH OF JULY...

(Credit: Alamy)

(Credit: Alamy)

 BLACK WIDOW. 

There have been 15 solo films named after Marvel's male superheroes since 2008, and only one named after a superheroine: Captain Marvel. Now Scarlett Johansson's Natasha Romanoff finally gets her own vehicle, a decade after the acrobatic Russian spy was introduced in Iron Man 2. Inconveniently, she was killed off in Avengers: Endgame, but Loki and Vision came back from the dead for their own TV series, so why shouldn't she? The excuse is that Black Widow is set at an earlier time – just after Captain America: Civil War, to be exact. The Avengers have gone their separate ways, so Romanoff heads to Russia to reunite with the only family she has, three fellow secret agents played by Rachel Weisz, David Harbour and Florence Pugh. "It's no surprise that the film is entertaining and full of action," says BBC Culture's Caryn James. "It is unexpected, though, that Black Widow may be the least Avenger-like movie in the series so far. [The film] sets itself apart by emphasising Natasha's past, and her reunion with her fractured, drolly comic family."

Released on 7 July in the UK and Ireland, 8 July in Australia, and 9 July in the US and Canada

(Credit: Focus Features)

(Credit: Focus Features)

Stillwater

In 2016, Spotlight won the best picture and best original screenplay prizes at the Oscars. Since then, the film's co-writer-director, Tom McCarthy, has made a children's film for Disney+ (Timmy Failure: Mistakes Were Made) and a teen TV series for Netflix (13 Reasons Why), but now at last he has directed and co-written another big-screen drama with the kind of heavyweight legal issues and dogged detective work that won him those Oscars. Loosely based on the Amanda Knox case, Stillwater stars a brawny, bearded, baseball-capped Matt Damon as Bill Baker, an oil worker who lives in Stillwater, Oklahoma. (Nothing to do with the rock band in Almost Famous, then.) His estranged daughter (Abigail Breslin) is studying in Marseille when she is arrested and charged with the murder of her girlfriend. Bill moves there to fight for her release with the help of a local lawyer played by Camille Cottin (Andréa from Call My Agent!). Given that it's set in the South of France, it's appropriate that Stillwater should be premiering at the Cannes Film Festival. It could win a Palme d'Or as well as an Oscar. 

Released on 29 July in Australia and New Zealand, 30 July in the US and Canada, and 6 Aug in the UK and Ireland

(Credit: A24)

(Credit: A24)

The Green Knight

Quite possibly the only one of 2021's films to be based on a 14th-Century poem, The Green Knight opens at a New Year's Eve banquet in Camelot. The monstrous Green Knight (Ralph Ineson) strides in and declares that anyone around the Round Table can strike him with an axe, as long as he can do the same to them in one year's time. King Arthur's feckless nephew, Sir Gawain (Dev Patel), accepts the challenge and decapitates the giant intruder. But then the monster picks up his own head and strolls away. Written and directed by David Lowery (The Old Man & The Gun, A Ghost Story, Pete's Dragon), The Green Knight promises to be eerier, weirder but more personal than the average Hollywood quest fantasy. "We wanted a film that felt as epic as Lord of the Rings but was completely unique in the way the story was told," Lowery told Devan Coggan at Entertainment Weekly. For all of its swashbuckling sword fights and mythical beings, the film is rooted in a universal theme: "The idea that one's honour or integrity is more valuable than one's life or legacy was really interesting for me. That's something I think about a lot. I think about posterity and how anyone – myself included – will be viewed by the generations to come."

Released on 30 July in the US and Canada, and 6 Aug in the UK and Ireland

(Credit: Paramount Pictures)

(Credit: Paramount Pictures)

Snake Eyes

The last time Hasbro's GI Joe characters were on the big screen was in 2013's GI Joe: Retribution – a film that isn't remembered too fondly, despite the pecs-flexing presence of Dwayne Johnson. Now the franchise is being rebooted, starting with a stunt-packed martial-arts adventure featuring the mysterious ninja, Snake Eyes. GI Joe purists might point out that Snake Eyes' defining features are that (1) he can't speak and (2) he never takes off the helmet, but this is an origin story which covers his life before he became a mute Daft Punk lookalike. Henry Golding stars alongside Samara Weaving (Ready or Not) and Iko Uwais (The Raid) as a street fighter who is invited to join a secret international crime-fighting organisation. Golding has grinned his way through two romantic comedies so far, Crazy Rich Asians and Last Christmas, but he is often mentioned as a potential Next James Bond, so this is his chance to prove his action-hero credentials.

Released on 22 July in Australia and Hong Kong, 23 July in the US, and 18 Aug in the UK and Ireland

(Credit: American International Pictures)

(Credit: American International Pictures)

How It Ends

How It Ends might have been shot during the pandemic, but, according to John Defore in the Hollywood Reporter, it is "one of the most enjoyable responses yet to Covid constraints". Written, directed and produced by Zoe Lister-Jones and Daryl Wein, this feelgood comedy is set on the last day before the Earth is obliterated by an asteroid. (You read that correctly – it's a feelgood comedy about the extinction of all life as we know it.) Lister-Jones stars as Liza, a woman who spends her few remaining hours wandering the deserted streets of Los Angeles in the imagined company of her younger self (Cailee Spaeny). She is hoping to make it to one last party, but first she tries to reconcile with various friends, ex-boyfriends and relatives played by Olivia Wilde, Helen Hunt, Bradley Whitford and others. "Packed with cameos from seemingly every celebrity the writer/directors have befriended during their careers," says Defore, "it's more breezy than bittersweet, more about acceptance and forgiveness than a movie made in 2020 has any right to be."

Released on 20 July in the US

(Credit: Warner Brothers)

(Credit: Warner Brothers)

Space Jam: A New Legacy

A basketball superstar caught up in an intergalactic battle involving a bunch of cartoon characters from the 1930s and 1940s? It's hard to explain how or why Space Jam came into being, but the Michael Jordan-meets-Bugsy Bunny extravaganza was a slam dunk in 1996, and now, 25 years on, a sequel is here. This time it's LeBron James who is zapped into an otherworldly realm where he has to train Bugs, Daffy Duck, Porky Pig and chums to be a world-beating basketball team. A few other things have changed in the last quarter of a century, too. As well as mixing live-action with hand-drawn animation, as the 1996 film did, A New Legacy throws in computer-generated 3D animation. The other change is that James doesn't just meet the Looney Tunes characters. Much like Ready Player One and The Lego Movie, the film makes use of every other piece of Warner Bros intellectual property it can, so look out for Fred Flintstone, King Kong, The Iron Giant and more.

Released on 16 July in the US, Canada, the UK and Ireland

(Credit: Neon)

(Credit: Neon)

Night of the Kings

Philippe Lacôte's Night of the Kings is a prison drama with a difference. Its young hero (Bakary Koné) is sent to a notorious Ivory Coast jail, deep in a forest, where the inmates are in charge. Their dying leader (Steve Tientcheu from the Oscar-nominated Les Misérables) sets the newcomer a test: if he doesn't want to be killed, he has to hold his fellow prisoners' attention with a story that lasts an entire night. As his tale drifts from biography to fantasy, the film itself becomes just as strange and mystical. In Rolling Stone, K Austin Collins calls it "a film-length display of the power of the West African griot, in other words, a movie rooted in the tradition of fabulism, chronicle, the unruly mix of personal and regional history, shot through with both fact and magical realism".

Released on 8 July in the Netherlands and 23 July in the UK and Ireland

Summer of Soul captures the atmosphere at a Harlem concert where artists including Sly Stone performed (Credit: Courtesy of Mass Distraction Media)

Summer of Soul captures the atmosphere at a Harlem concert where artists including Sly Stone performed (Credit: Courtesy of Mass Distraction Media)

Summer Of Soul (... or, When the Revolution Could Not be Televised)

Woodstock wasn't the only major US music festival in the summer of 1969. At the same moment, just 100 miles south, the Harlem Cultural Festival took place in New York's Mount Morris Park (now Marcus Garvey Park) over six weekends. Its fabulous line-up included Stevie Wonder, Nina Simone, Sly and the Family Stone, Gladys Knight & The Pips and BB King, and the whole event was filmed by producer Hal Tulchin. But most of the footage sat in canisters for 50 years. Now that it has been unearthed, who better to assemble it than Ahmir-Khalib "Questlove" Thompson of the Roots, making his debut as a documentary director? Leila Latif in Little White Lies says: "Questlove has an expert musicality to his filmmaking and conducts image, music and thesis with a fast-paced rhythm. This film is so much bigger than just the story of a concert – it lovingly paints a dynamic and far-reaching portrait of what it means to be black in America." BBC Culture's Caryn James agrees, arguing that "There are great concert movies and great socio-political documentaries, but Summer of Soul combines both in one gloriously entertaining and intellectually astute film."

Released on 2 July in the US (on Hulu), on 16 July in Spain and the UK, and on Disney+ in the UK and Ireland from 30 July

(Credit: Disney)

(Credit: Disney)

Jungle Cruise

It looks as if the Pirates of the Caribbean series has run aground, so Disney has launched another live-action franchise based on one of its watery theme-park attractions. Squarely in the rip-roaring, romantic tradition of The African Queen and Indiana Jones, Jungle Cruise is set in South America in the early 1900s. Dwayne Johnson stars as the captain of a ramshackle riverboat who takes a doughty scientist (Emily Blunt) and her cowardly brother (Jack Whitehall) into an Amazon jungle in search of the fabled Tree of Life. The director, Jaume Collet-Serra (The Shallows, The Commuter), says that he was inspired by the fun-for-all-the-family appeal of the theme-park ride. "You could bring a baby, you could bring your grandparents, everybody could enjoy it together," he tells Total Film. "It was so beloved. It was clear that we wanted to make a movie that was like that." 

Released on 30 July in the UK and the US, and on Disney+

(Credit: Universal Pictures)

(Credit: Universal Pictures)

Old

The latest twisty chiller from M Night Shyalaman (The Sixth Sense) could be the exact opposite of a relaxing summer movie. Old features Gael Garcia Bernal and Vicky Krieps as a husband and wife who visit a secluded tropical beach with their children. They're joined by several other holiday-makers (Rufus Sewell, Abbey Lee), but they still can't understand why such an idyllic beauty spot isn't more popular. Then they find out. The beach is under a curse which causes everyone on it to age so quickly that they will shrivel up and die by the end of the day. The screenplay is adapted from Sandcastle, a French graphic novel by Pierre Oscar Levy and Frederik Peeters, but the plot details have been kept under wraps. That's for the best. With Shyalaman's high-concept mysteries, the less you know about what's to come, the better.

Released on 21 July in France, 22 July in Australia, and 23 July in the UK, Ireland, US and Canada

posted by Davidblogger50 at 19:35 0 comments