MY WORLD OF TRUTH

Tuesday 19 June 2018

WHY SUPPRESSING ANGER AT WORK IS BAD

Imagine yourself 35,000 feet up, pushing a trolley down a narrow aisle surrounded by restless passengers. A toddler is blocking your path, his parents not immediately visible. A passenger is irritated that he can no longer pay cash for an in-flight meal, another is demanding to be allowed past to use the toilet. And your job is to meet all of their needs with the same show of friendly willingness.
For a cabin crew member, this is when emotional labour kicks in at work.
A term first coined by sociologist Arlie Hoschild, it’s the work we do to regulate our emotions to create “a publicly visible facial and bodily display within the workplace”.
(Credit: Getty Images)
Often times, flight attendants must maintain an air of friendliness even in the midst of rude or combative passenger behaviour (Credit: Getty Images)
Simply put, it is the effort that goes into expressing something we don’t genuinely feel. It can go both ways – expressing positivity we don’t feel or suppressing our negative emotions.
  Unhelpful attitudes such as ‘I’m not good enough’ may lead to thinking patterns in the workplace such as ‘No-one else is working as hard as I seem to be’ or ‘I must do a perfect job’, and can initiate and maintain high levels of workplace anxiety -  Leonard  
Hoschild’s initial research focused on the airline industry, but it’s not just in-flight staff keeping up appearances. In fact, experts say emotional labour is a feature of nearly all occupations in which we interact with people, whether we work in a customer-facing role or not. The chances are, wherever you work, you spend a fair portion of your working day doing it.
When research into emotional labour first began, it focused on the service industry with the underlying presumption that the more client or customer interaction you had, the more emotional labour was needed.
However, more recently psychologists have expanded their focus to other professions and found burnout can relate more closely to how employees manage their emotions during interactions, rather than the volume of interactions themselves.
Perhaps this morning you turned to a colleague to convey interest in what they said, or had to work hard not to rise to criticism. It may have been that biting your lip rather than expressing feeling hurt was particularly demanding of your inner resource.
But in some cases maintaining the façade can become too much, and the toll is cumulative. Mira W, who preferred not to give her last name, recently left a job with a top airline based in the Middle East because she felt her mental wellbeing was at stake.
In her last position, the “customer was king”, she says. “I once got called 'whore' because a passenger didn't respond when I asked if he wanted coffee. I’d asked him twice and then moved to the next person. I got a tirade of abuse from the man.”
“When I explained what happened to my senior, I was told I must have said or done something to warrant this response… I was then told I should go and apologise.”
“Sometimes I would have to actively choose my facial expression, for example during severe turbulence or an aborted landing,” she says. “Projecting a calm demeanour is essential to keep others calm. So that aspect didn't worry me. It was more the feeling that I had no voice when treated unfairly or extremely rudely.”
During her time with the airline, she encountered abuse and sexism – and was expected to smile through it. “I was constantly having to hide how I felt.
(Credit: Getty Images)
Servers and other customer service professionals often have to force a happy face in front of patrons, which can be stressful over the long haul (Credit: Getty Images)

Over the years and particularly in her last role, handling the stress caused by suppressing her emotions became much harder. Small things seemed huge, she dreaded going to work and her anxiety escalated. 
“I felt angry all the time and as if I might lose control and hit someone or just explode and throw something at the next passenger to call me a swear word or touch me. So, I quit,” she says.   
She is now seeing a therapist to deal with the emotional fallout. She attributes some of the problems to isolation from family and a brutal travel schedule, but has no doubt that if she hadn’t had to suppress her emotions so much, she might still be in the industry.

Mira is not alone. Across the globe, employees in many professions are expected to embrace a work culture that requires the outward display of particular emotions – these can including ambition, aggression and a hunger for success.
  The way we handle emotional labour can be categorised in two ways – surface acting and deep acting
A few years ago, the New York Times wrote a “lengthy piece about the “Amazon Way”,describing very specific and exacting behaviour the retail company required of its employees and the effects, both positive and negative, that this had on some of them. While some appeared to thrive in the environment, others struggled with constant pressure to show the correct corporate face.
“How we cope with high levels of emotional labour likely has its origins in childhood experience, which shapes the attitudes we develop about ourselves, others and the world,” says clinical and occupational psychologist Lucy Leonard.  
“Unhelpful attitudes such as ‘I’m not good enough’ may lead to thinking patterns in the workplace such as ‘No-one else is working as hard as I seem to be’ or ‘I must do a perfect job”, and can initiate and maintain high levels of workplace anxiety,” says Leonard.  
Workers are often expected to provide good service to people expressing anger or anxiety – and may have to do this while feeling frustrated, worried or offended themselves.
“This continuous regulation of their own emotional expression can result in a reduced sense of self-worth and feeling disconnected from others,” she says.
Hoschild suggests that the way we handle emotional labour can be categorised in two ways – surface acting and deep acting – and that the option we choose can affect the toll it takes on us.
Take the example of a particularly tough phone call. If you are surface acting you respond to the caller by altering your outward expression, saying the appropriate things, listening while keeping your actual feelings entirely intact. With deep acting you make a deliberate effort to change your real feelings to tap in to what the person is saying – you may not agree with the manner of it but appreciate the aim.
Both could be thought of as just being polite but the latter approach – trying to emotionally connect with another person’s point of view – is associated with a lower risk of burnout.
Jennifer George’s role as a liaison nurse with a psychiatric specialism in the Accident & Emergency department at Kings College London Hospital puts her at the sharp end of health care. Every day she must determine patients’ needs – do they genuinely need to be admitted, just want to be looked after for a while or are they seeking access to drugs?  
“It’s important to me that I test my own initial assumptions,” she says. “As far as I can, I tap into the story and really listen. It’s my job but it also reduces the stress I take on.”
(Credit: Getty Images)
Many offices over the last decade have provided recreational or rest spaces to mitigate stress from the day or emotional labour loads (Credit: Getty Images)
“Sometimes I’ll have an instinctive sense that the person is trying to deceive, or I can become bored with what they’re saying. But I can’t sit there and dismiss something as fabrication and I don’t want to.”
This process can be upsetting, she says. Sometimes she has to say no “in a very direct way”, and the environment can be noisy and threatening. “I stay as much as I can true to myself and my beliefs. Even though I need to be open to what both fellow professionals and would-be and genuine patient cases say to me, I will not say anything I don’t believe and that I don’t believe to be right. And that helps me,” she says.
When things get tough, she talks to colleagues to unload. “It’s the saying it out loud that allows me to test and validate my own reaction. I can then go back to the person concerned,” she says.
Ruth Hargrove, a former trial lawyer based in California, also faces tricky interactions in her work representing San Diego students pro bono in disciplinary matters.  “Pretty much everyone you are dealing with in the system can make you labour emotionally,” she says.
One problem, says Hargrove, is that some lawyers will launch personal attacks based on any perceived weakness – gender, youth – rather than focusing on the actual issues of the case.  
“I have dealt with it catastrophically in the past and let it eat at my self-esteem,” she says. “But when I do it right, I realise that I can separate myself out from it and see that [their attack] is evidence of their weakness.”
Rather than refuting specific, personal allegations, she simply sends back a one-line email saying she disagrees. “Not rising to things is huge,” she says. “It’s a disinclination to engage in the emotional battle that someone else wants you to engage in. I keep in sight the real work that needs to be done.”
Those who report regularly having to display emotions at work that conflict with their own feelings are more likely to experience emotional exhaustion
Hargrove also has to deal with the expectations of clients who believe – sometimes unrealistically – that if they have been wronged, justice will prevail. She understands their feelings, even as she has to set them straight.
“I empathise here, as a parent, with their thought that there should be a remedy, even when I know it’s not going to be achievable. It helps me that this feeling is also true to me.”
Remaining true to your feelings appears to be key – numerous studies show those who report regularly having to display emotions at work that conflict with their own feelings are more likely to experience emotional exhaustion.
Of course, everybody needs to be professional at work and handling difficult clients and colleagues is often just part of the job. But what’s clear is that putting yourself in their shoes and trying to understand their position is ultimately of greater benefit to your own well-being than voicing sentiments that, deep down, you don’t believe.
Leonard says there are steps individuals and organisations can take to prevent burnout. Limiting overtime, taking regular breaks and tackling conflict with colleagues through the right channels early on can help, she says, as can staying healthy and having a fulfilling life outside work. A “climate of authenticity” at work can be beneficial.
“Organisations which allow people to take a break from high levels of emotional regulation and acknowledge their true feelings with understanding and non-judgemental colleagues behind the scenes tend to fare better in the face of these demands,” she says.   
Such a climate can also foster better empathy, she adds, by allowing workers to maintain emotional separation from those with whom they must interact. 
Where it is possible, workers should be truly empathetic, be aware of the impact the interaction is having on them and try to communicate in an authentic way. This, she says, can “protect you from communicating in a disingenuous manner and then feeling exhausted by your efforts and resentful of having to fake it”.
posted by Davidblogger50 at 23:02 0 comments

Sunday 3 June 2018

LET THE PICTURES SPEAK.

Our selection of some of the most striking news photographs taken around the world this week.
New Yorkers on 42nd StreetImage copyrightGETTY IMAGES
Image captionNew Yorkers experience Manhattanhenge on 30 May, a phenomenon when the sun is aligned with the east-west streets of the main street grid of Manhattan.
Part of Europa-Park on fire in GermanyImage copyrightGETTY IMAGES
Image captionThousands of visitors were evacuated when a blaze engulfed part of Europa-Park in Rust, southern Germany, on 26 May.
Two women in front of a mural about the Irish abortion referendumImage copyrightGETTY IMAGES
Image captionTwo women console one another as they look at written notes left on the Savita Halappanavar mural as the results in the Irish referendum on the 8th amendment on the country's abortion laws takes place at Dublin Castle, Ireland.
Police surrounded by coloured smoke at a protestImage copyrightGETTY IMAGES
Image captionSmoke rises from fireworks as policemen in pyjamas demonstrate against their working conditions in front of the police prefecture of the 13th arrondissement in Paris.
Gloved hands holding a pearlImage copyrightREUTERS
Image captionThe Sleeping Lion Pearl, which once belonged to Catherine the Great and is believed to be the world's largest freshwater pearl, is displayed before being auctioned in the Hague, Netherlands.
Gareth Bale kisses the Champions League trophyImage copyrightREUTERS
Image captionReal Madrid's Gareth Bale celebrates winning the Champions League by kissing the trophy in Kiev, Ukraine after the 3-1 win over Liverpool.
Kilauea lava flow in HawaiiImage copyrightREUTERS
Image captionVolcanic gases rise from the Kilauea lava flow that crossed Pohoiki Road in Hawaii, following an explosive eruption earlier in May that sent 30,000ft (9,100m) into the sky.
Russian journalist Arkady Babchenko at a press conferenceImage copyrightREUTERS
Image captionRussian journalist Arkady Babchenko (centre), who was reported murdered in the Ukrainian capital on 29 May appears unexpectedly at a press conference in Kiev that was announcing his own death.
Men sleep next to truckImage copyrightGETTY IMAGES
Image captionIndian men rest in the shadow of an overflowing cloth container of hay, to be used as animal fodder, on a truck in Ajmer in the western state of Rajasthan.
Lightning over LondonImage copyrightSHUTTERSTOCK
Image captionLightning seen over central London during a storm in which around 15,000 lightning strikes were recorded in four hours in the UK.
posted by Davidblogger50 at 07:07 0 comments

TEN MOVIES TO WATCH IN THE MONTH OF JUNE

Sicario: Day of the Soldado (Credit: Credit: Sony)
Sicario: Day of the Soldado
Sicario, the 2015 thriller that once and for all proved Denis Villeneuve’s mastery of every genre, was taut, flinty storytelling abounding with low-key chills. Sadly, however, Villeneuve is not returning for the sequel, which instead has gone to Italian TV director Stefano Sollima, best known for Sky Italia’s small-screen adaptation of Gomorra. Nor is Sicario star Emily Blunt, but that doesn’t mean this sequel is without interest: Benicio Del Toro is back as a US operative who kidnaps the daughter of a Mexican drug lord as part of a plan to pit rival cartels against each other. When his superior (Josh Brolin) orders him to kill the girl, he goes rogue and finds himself chased by the US Drug Enforcement Agency personnel he once answered to. Released 27 June in South Korea, 28 June in Russia, Cambodia and Australia and 29 June in the US, UK and Turkey (Credit: Sony)
The Incredibles 2 (Credit: Credit: Disney-Pixar)
The Incredibles 2
The Incredibles is one of Pixar’s most beloved films – which, considering that nearly every one of their animations is beloved is really saying something – and certainly the one that always seemed most ripe for a sequel. This time the Parr family, each member gifted with powers, spring back into action to take on villains the Underminer (John Ratzenberger’s baddie, glimpsed at the end of the first film) and new threat The Screen-slaver. Or at least matriarch Elasti-girl (Holly Hunter) gets to. Superheroes are still looked upon unfavourably in the world of The Incredibles 2, but Elasti-girl is recruited to be the face of masked vigilantism by a PR consultant (Bob Odenkirk) looking to make people with superpowers more palatable to the public. Her husband, Mr Incredible, becomes a stay-at-home dad and all manner of domestic comedy high jinks ensue. Expect more of the pop-art graphics from director Brad Bird that made the first one such a satisfying feast for the retinas. Released 14 June in Mexico, Argentina and Chile, 15 June in the US, Pakistan and Vietnam and 27 June in Belgium, Spain and The Netherlands (Credit: Disney-Pixar)
Jurassic World: The Fallen Kingdom (Credit: Credit: Universal Pictures)
Jurassic World: The Fallen Kingdom
People never get enough of dinosaurs, it seems: Jurassic World, the fourth instalment in the reptilian saga, is the fifth highest grossing film of all time worldwide. Its follow-up is directed by JA Bayona, the Spanish auteur behind The Orphanage and A Monster Calls. Chris Pratt and Bryce Dallas Howard are back, this time teaming up to rescue some dinosaurs from what was formerly the Jurassic World theme park from an imminent volcano eruption. But a bigger threat awaits them when they get back to civilisation: greedy forces want to capture, weaponise and sell the dinosaurs, presumably to turn them into a military force. Which, yes, means that like The Lost World: Jurassic Park before it, giant lizards will run amok in ordinary cities and neighbourhoods: one particularly creepy image from the trailer shows a dinosaur’s claw reaching toward a sleeping child in their bedroom. Released 6 June in the UK and Saudi Arabia, 15 June in China and Pakistan and 22 June in the US and Mexico (Credit: Universal Pictures)
Superfly (Credit: Credit: Sony)
Superfly
The 1972 crime drama Superfly was one of the key films, along with Shaft, to inaugurate the Blaxploitation genre in US cinema. But it’s probably best known for its stunning soundtrack, written and produced by the legendary Curtis Mayfield. These hard-edged yet tuneful tracks, such as Pusherman, were the perfect complement to the searing tale of a gangbanger trying to find a way out of the world of drugs and crime. So it makes sense that a music video director would be the film-maker to steer this remake. And he has the unapologetically awesome name of Director X no less. After creating videos for Drake, Rihanna, Miguel and Kendrick Lamar, Director X tells an updated version of the original film’s story: Trevor Jackson, just 21 years old, steps into the shoes of Youngblood Priest, originally played by Ron O’Neal, a hustler in Atlanta trying to make one last big score. Southern hip-hop gods Big Boi and Rick Ross make appearances, as does Michael K Williams, who makes every single crime film better. Released 13 June in the US, 15 June in Canada and Finland and 28 June in Germany (Credit: Sony)
A Kid Like Jake (Credit: Credit: IFC Films)
A Kid Like Jake
Films about the difficulties of parenting are nothing new, but A Kid Like Jake explores a topic that’s been sorely underrepresented to date: what it means to be the parent of a non-binary child. Based on screenwriter Daniel Pearle’s 2013 play of the same name, A Kid Like Jake looks at a mother and a father (played by Claire Danes and Jim Parsons) whose four-year-old son is about to enter pre-school. But Jake prefers Disney princesses to action figures and doesn’t identify with what is considered traditionally male. Marital strain ensues as Danes and Parsons struggle with how best to respond to their child’s needs. A Kid Like Jake premiered to raves at the Sundance Film Festival in January with New York Magazine’s Emily Yoshida saying, “Claire Danes and Jim Parsons are stunningly good” and Indiewire’s David Ehrlich saying that it is “a sensitive and nuanced portrait of modern parenting.” Released 1 June in the US and available on demand 8 June (Credit: IFC Films)
Ocean's 8 (Credit: Credit: Warner Bros)
Ocean's 8
Anne Hathaway plays a celebutante planning to wear $150m (£113m) in jewels to the Met Gala. She might as well wear a target on her back, as all the hype around her gaudy ensemble inspires a crew of female thieves led by Debbie Ocean (Sandra Bullock), who’s the sister of Danny Ocean (played by George Clooney in Steven Soderbergh’s previous Ocean’s films), to relieve her of them. Ocean assembles a crack team of Cate Blanchett, Mindy Kaling, Rihanna, Awkwafina, and Sarah Paulson to pull off the heist, which, given its setting will feature many fashion world cameos including Anna Wintour and Alexander Wang. Released 8 June in the US, Canada, Vietnam and Indonesia, 18 June in the UK and 22 June in South Africa (Credit: Warner Bros)
Leave No Trace (Credit: Credit: Bleecker Street Media)
Leave No Trace
Winter’s Bone, a tale of poverty and endurance in the Ozarks, was one of the most acclaimed films of 2010. It also catapulted Jennifer Lawrence to stardom. Remarkably, though, its director, Debra Granik, hasn’t made a feature film until now. Her Leave No Trace explores similar territory, with a father and daughter defying convention by living out in the woods of Oregon. The dad (Ben Foster) wants to raise his daughter (Thomasin McKenzie) away from the corrupting influence of contemporary society – but they run afoul of US authorities, who object to them camping out on public land, demand McKenzie attend school and believe her father is incapable of raising her. Vanity Fair’s Richard Lawson says, “Granik works simply, but she doesn’t forego artistry. She’s made a film of grace and power, a story of people lost and found in America that often shows us at our noble and humble best. How rare and refreshing that is these days.” Released 29 June in the US and UK (Credit: Bleecker Street Media)
The Happy Prince (Credit: Credit: Lionsgate)
The Happy Prince
The last years of Oscar Wilde’s life were tragic ones, and utterly at odds with the witty plays and short stories he had previously written. Outed as homosexual at a time when being gay was a dire crime in the UK, he was sentenced to two years’ imprisonment, after which he fled the country for France, where he his life ended in poverty. Rupert Everett plays Wilde in this look at his sad final years – he also got behind the camera to direct. Screen International’s Fionnuala Halligan writes, “Wilde’s mighty struggle with himself, with his heavenly talent and earthly lusts, and the meaning of it all resonates so strongly in [Everett’s] direction and performance that The Happy Prince is easily elevated past period Victoriana to move and engage in equal parts. Released 15 June in the UK and Ireland (Credit: Lionsgate)
McQueen (Credit: Credit: Bleecker Street Media)
McQueen
The same month that the Vivienne Westwood documentary Westwood: Punk, Icon, Activist is being released in the US and Canada comes this other non-fiction look at a fashion legend. Alexander McQueen, aged 40, took his own life in 2010 but his influence remains everywhere in the sartorial realm. Directors Ian Bonhôte and Peter Ettedgui received a ‘no’ from McQueen’s family and fashion house to participate in this examination of his life and legend, but according to New York Magazine’s Emily Yoshida the result is well worth watching: “Thanks to a beautifully lush, moody score by Michael Nyman and great sound editing, even a fan who has pored over these archives obsessively will see them in a new light. What McQueen reminds those obsessives and laypeople alike is that fashion is an incredibly emotional art form, and McQueen’s work was some of the most moving there was or ever will be.” Released 8 June in the UK, Ireland and Spain (Credit: Bleecker Street Media)
Maquia: When the Promised Flower Blooms (Credit: Credit: National Amusements/Anime Ltd)
Maquia: When the Promised Flower Blooms
Mari Okada is one of the most prolific screenwriters for animé TV productions in Japan, but she’s virtually unknown elsewhere. That could change with her debut animé feature film, Maquia: When the Promised Flower Blooms. Not only a ravishing bit of hand-drawn animation, this film tells a powerfully feminist story about a young girl, who’s part of a monastic order whose adherents can live forever if they reject all love, choosing to reassert control over her own life and destiny. The Japan Times’ Matt Schley writes, “Maquia is a solid directorial debut and, with its relatable message, it may also find the prolific screenwriter new fans.” Released 7 June in Australia and New Zealand and 27 June in the UK and Ireland (Credit: National Amusements/Anime Ltd)
posted by Davidblogger50 at 07:02 0 comments